앤디워홀이 그린 장 콕토
사진출처
http://zedisred.blogspot.com/2010/12/20th-century-avant-garde-icon-tsy-style.html
시인의 피(Le Sang d’un poète 1930)의 한 장면
Financé par le vicomte Charles de Noailles (qui a également produit L'Âge d'or de Luis Buñuel), le premier film de Jean Cocteau est un moyen métrage de 49 minutes qui nous plonge dans une sorte de rêve illustrant la difficulté de la création et les errements du poète. on retrouve dans Le Sang du Poète certains symboles et thèmes qui sont chers à Cocteau, les corps, le miroir-porte vers une autre réalité, la mort. Cocteau joue beaucoup avec les trucages, utilisant pleinement les possibilités techniques de l’époque pour créer des images surréalistes, à la fois fortes et belles (le film a toutefois été source de querelles entre Cocteau et les surréalistes). Le Sang d’un poète est souvent présenté comme le film le plus personnel de Cocteau dans la mesure il s’est « portraituré » lui-même, pour reprendre sa propre ｅxpression. Le titre initialement prévu était même « La vie d’un poète »
시인의 피
- 장 콕토를 위하여
시인의 이마에
피가 흐른다
시인의 가슴이
폭포수처럼 터지고
시인의 창자가
백짓장처럼 뚫어진다
손은 횃불처럼 타오르고
그 눈빛은
이글이글거린다
시인의 머리는
피로 물든 가시관이 된다
시인의 호흡은
숨가쁘게 끊어지고
그의 목구멍은
피가 터져 차갑게 식어 간다
칼과 창의 날카로운 햇살이
시인의 뇌리에 꽂힐 때
그 어디에서나
기적같이 하나의 노래가 떠오른다
리듬의 혼을 타고
광란의 바람을 불어온다
시인이여 피를 흘려라
온몸에 피를 흘려라
이 땅에 죽어서
눈이 되고 귀가 되고 입이 되어라
1984. 2. 4 聖 발렌타인 날에
우순옥작품.12편의 신기루 중 하나. 영상설치 2011 장면 장콕토 연출 '시인의 피' 영화장면
이 영화는 1970년대 초 프랑스문화관에서 상영됨
[추신]
내 생애 가장 전율한 영화가 그와 연관해서 기억 나는 영화가 하나가 있다.
클로드 소테감독의 일상의 사사로운 것들(Les choses de la vie 1970)다
클로드 소테 감독
[영화감독 클로드 소테(Claude Sautet)]
http://www.answers.com/topic/claude-sautet#ixzz1dO0YYpDj
One of France's most respected directors, Claude Sautet was without equal in his ability to chronicle the banal complexities of French bourgeois life. In such works as Les Choses de la Vie (1969), Vincent, Paul, François, et les Autres (197...4), and Un Coeur en Hiver (1992), Sautet explored the personal relationships and emotional frailties of everyday men and women with warmth and assurance, providing audiences with rare insight into the lives and loves of the French middle classes.
Born in the working class Parisian suburb of Montrouge on February 24, 1924, Sautet worked as a social worker and music critic before attending the Institut des Hautes Etudes Cinématographiques in the late '40s. He toiled for a number of years as a writer, assistant director, and TV producer, penning, among other works, Georges Franju's horror classic Les Yeux Sans Visage (1959). Although Sautet made his directorial debut in 1955 with Bonjour Sourire, it was not until he wrote and directed Les Choses de la Vie (1969) that he earned international attention. An ostensibly simple story about a businessman (Michel Piccoli) who must choose between his wife and his mistress, the film introduced a number of themes that would continue to be apparent throughout Sautet's subsequent work, particularly concerns revolving around one's home, loved ones, and material possessions. Les Choses de la Vie was shown in competition at the 1970 Cannes Festival, where its enthusiastic reception announced Sautet as one of the new decade's more promising talents. Claude Sautet Biography one of France's most respected directors, Claude Sautet ...was without equal in his ability to chronicle the banal complexities